Albatross

From M* Thu Jan 11 15:58:01 1996
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Date: Thu, 11 Jan 1996 15:58:01 GMT
From: Malc Brookes
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I'm sorry, I checked it and checked it, thought it was okay and sent it.
But I have since discovered a tiny error, so here's the corrected version.

Tabbed by Malc Brookes (*)

I arranged this for solo acoustic guitar several years ago.
In section B the bass switches from F# to A (which is in the chord of F#m)
as it wasn't possible to keep the original melody and bass.
In section C the melody is dropped a whole octave, which allows the
F# bass line to be preserved and sounds better, I feel, on an acoustic
than playing it above the 12th fret.

Regards

Malc

Key:
h - hammer-on
p - pull-off
/ - slide up
\ - slide down

  Section A (play twice)

  1st time through                                 (X)

  2nd time through

  Section B (play twice)

  Section C

  Section D
  Repeat Section A once through to (X) and end with:

--  

_______________________________________________________________________
 Malc Brookes, St Helens, England
 EMail: *
 WWW: http://**

From * Mon Jan 15 00:04:01 PST 1996
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Sorry, I've since spotted a slight error.
In Section B the following
should be

Regards

Malc
_______________________________________________________________________
 Malc Brookes, St Helens, England
 EMail: *
 WWW: http://**

From M* Mon Jan 22 11:36:04 1996
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Date: Mon, 22 Jan 1996 11:36:04 GMT
From: Malc Brookes
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In your message dated Thursday 11, January 1996 you wrote :
> Archived as music/acoustic/f/fleetwood_mac/*.
>
> I superceded the older copy you sent.
>
> Thanks
> Dean

I've had some feedback about this tab, and I'm afraid I made a slight error in
one section. Sometimes it doesn't matter how long you stare at something, a
glaring mistake always seems to slip through. Sorry, here's a corrected version.

Regards, Malc

Tabbed by Malc Brookes (*)

I arranged this for solo acoustic guitar several years ago.
In section B the bass switches from F# to A (which is in the chord of F#m)
as it wasn't possible to keep the original melody and bass.
In section C the melody is dropped a whole octave, which allows the
F# bass line to be preserved and sounds better, I feel, on an acoustic
than playing it above the 12th fret.

Regards

Malc

Key:
h - hammer-on
p - pull-off
/ - slide up
\ - slide down

  Section A (play twice)

  1st time through                                 (X)

  2nd time through

  Section B (play twice)

  Section C

  Section D
  Repeat Section A once through to (X) and end with:

--  

_______________________________________________________________________
 Malc Brookes, St Helens, England
 EMail: *
 WWW: http://**